very limited 2015 repress! supported by: luciano, loco dice, raresh, tania vulcano, nick curly, reboot, sebo k, valentino kanzyani, laurent garnier, matthias tanzmann, ben watt, jimpster, federico molinari, ray okpara, martinez, frank roger, varoslav, okain, kiki, anthony collins.. all inn records look to kick-start 2011 on full throttle, and return to their homeland, for a label debut from, premiesku aka. livio & roby vs george g. the premiesku project was launched with releases for desolat and cecille, and it gives all inn records great pleasure to join those labels, with todays stunning three track ep. a collection that perfectly portrays their music vision. lead track >hooman< matches precise house beats, with a contrasting and cascading waterfall of twinkling keys. >virgula doi< takes us deeper. with its electronic bassline, and smooth stabs, it gives off some real >west coast< swing. rounding out the ep is >patru<. a wonderfully cinematic piece, with lalo schifrin-esque cymbal work, hammond stabs and wandering key melody, it is the pièce de résistance!

we continue our 10yrs 8bit series with a super double by nick curly! reverie ep is a timeless quality release as you would expect it from the label head. reverie, the a-side, hooks with a deep bass and straight drums, leaving space for an evolving arrangement of tribal sounds and laser beams shooting through the club. all people is a pumpin b-side that takes over the floor with solid grooves and deep filter chords, made to be played at the peak. these tracks will work any crowd and once more show what the 8bit label stands for: just quality music.

sean hernandez, a.k.a. chicago skyway presents * empty patterns* on emphasis recordings. in the past, chicago skyway has recorded for labels such as eargasmic recordings, m>o>s deep, uzuri, altered moods recordings, and machining dreams, to name a few. empty patterns is a collection of tracks named after empty, programmable user patterns founds in most modern sequencers, synthesizers, and drum machines. we can only speculate which instrument was used for these tracks. all tracks are dj tools and is geared towards djs and dance floors. lots of chicago jacking house style drum patterns and bass synth stabs, with added reverb and distortion for grit and color.

we are extremely delighted to announce the highly awaited new release of peter makto & gregory s latest ep. an amazing piece of work filled with cool atmospheric sounds that paths the future of deep house tech music. support ep by marco carola, carl cox, maceo plex, todd terry, josh wink ...

new dj rocca & fred ventura collaboration, including dj rocca + n.o.i.a. + italocconnection mixes ... hot!
here we go again! we are happy to announce a brand new release by disco modernism records, milan. -looking for love- is the work of long time collaborators dj rocca and fred ventura featuring a fresh sounding original version, a pumping remix by italo legends n.o.i.a. and a classic italo rework from in-house team italoconnection. the bonus track appearing on b2 is an old collaboration between dimitri from paris & dj rocca feat. fred ventura previously available only digitally on gomma records. the release is strictly limited to 300 12” vinyls, 150 green colored copies plus 150 classic black vinyls.

new dj rocca & fred ventura collaboration, including dj rocca + n.o.i.a. + italocconnection mixes ... hot!
here we go again! we are happy to announce a brand new release by disco modernism records, milan. -looking for love- is the work of long time collaborators dj rocca and fred ventura featuring a fresh sounding original version, a pumping remix by italo legends n.o.i.a. and a classic italo rework from in-house team italoconnection. the bonus track appearing on b2 is an old collaboration between dimitri from paris & dj rocca feat. fred ventura previously available only digitally on gomma records. the release is strictly limited to 300 12” vinyls, 150 green colored copies plus 150 classic black vinyls.

craig peyton was a mainstay in nyc jazz and dance music beginning in the 70s. from playing on dan hartmans -vertigo/relight my fire- to his work on boogie funk productions with daryl payne, he is one of the unsung heroes of the era where disco transitioned into house music. his drum machine and synth based cover of william devaughans -just be thankful- came out on profile records in 1983, a daring move for a white man trained on the vibes. he gives the jam a haunting and funky rework that has only escalated in popularity over the years. it has been bootlegged extensively while original copies remain quite elusive.

tyler friedman returns to kontra-musik with a series of immersive wax maelstroms, adorned with the mind-melting artwork of rafaela drazic. every track on ccc: bb: bbb: jj is a controlled experiment in lysergic dance music, an examination of how far you can warp the constitutive elements of techno without loosing it s essential spine. the result is four evolutionary techno suites full of movement and life that make your brain move just as vigorously as your body. as the personal work of a composer creating soundtracks for artist projects - most notably as a long-term collaborator of the otolith group, the filmmaker collective spearheaded by pioneering afrofuturist theorist kodwo eshun - ccc: bb: bbb: jj sums up everything kontra-musik is about: dancefloor celebrations challenging the boundaries of expectation and genre.

enough! musics 11th work is a especially release by our lovely marc miroir with a soulfood remix series from amam labelowner alessio mereu & dakpa and enough! music head danilo schneider. two wonderful tracks with the name skillz and skusy is the sound of our time. turn the volume button loud- here comes marc miroir. the hypnotic groove, passion and the right sounds in the arrangement are the full craft in this ep. both remixes of the track skillz from danilo schneider and alessio mereu & dakpa are so excellent, powerful and in the right direction in to your heart.

released in 1997, this stunning ep from kerri chandler is considered by many to be the best of his raw grooves series and maybe even his best work of the late 1990 s. ladbroke grove and what about us are the classics here while dub music and can t you see tread into darker minimal chandler territory. out of print since 2001, this is another slab of large music essential wax for every serious collector.

december is the alias of paris based techno producer tomas more. having released a slew of respected releases under his full name, tomas is mutating his focus towards the a more experimental realm with his work as december. ‘on a leash’ proceeds tomas’s sold out debut cassette for where to now?, and a 12” for blackest ever black ‘in advance of the broken arm’. december’s latest offering for where to now? explores resoundingly tuff and metallic, largely analogue sounding techno jams.

food music welcomes a1 bassline to the label to release his first lp - technicality. the album’s title draws from the club night “technicality”, a monthly drum & bass night at herbal in east london, which is run by chris inperspective and continued the sound of early reinforced and metalheadz records as well as pushing new forward thinking music. the album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend rahim (lab creation), where the likes on fold, ben ufo, breakage would attend the club. in addition to well received records on dirtybird, pets recordings and his collaborative work with leon vynehall as laszlo dancehall, the album is a stamp on a1’s sound and his influences from his teenage years to growing up and discovering house and techno.

slated for a vinyl only release, dusky invite hodge and jerome hill to remix the rolling techno of parakeet feet from their recent ordinary world ep. part of the livity sound collective, bristols hodge has been responsible for some of the most fresh and leftfield uk techno excursions in the past year or so. focussing on the originals talk to me sample, hodge drops a dark, twisted techno banger in his unique style. on the flip, underground legend jerome hill cranks out a raw, ravey acid house work out that builds and builds with a dynamic surge of screaming, layered 303s

anouka started a year ago with her first sets on soundcloud and the response was incredible, building her fan base consistently. her debut ep traveller is released on soso, the label that she runs together with zusammenklang and oliver schories. the ep reflects what anouka always tries to express in her sets: showing that melancholy and happiness are very close together and they can work harmoniously. she recorded the vocals for both tracks by herself, which was challenging yet very rewarding. frequent traveller kicks things off nicely with its melancholic moodiness shining through as we meander effortlessly through berlin inspired melodies, while the sultry vocal sits wonderfully on top adding an extra layer of depth. christopher schwarzwalder is on remix duties, and from the off creates tension as this atmospheric rework subtly growls as it grooves. its sparseness is the key here, as this restrained gem works its magic. liberty is next as it tinkles away, creating a warm glow, and its caressed with its spoken french vocal, creating an air of sophistication. and rounding things off nicely is the midas 104 remix. this mystical touch up takes the energy levels up a notch, but increases the melancholy further and adding an air of just the right amount of wonkiness and quirkiness.

an atmospheric journey through the deepest depths of dub and ambient infused techno. volume 2 of the >tdh< series delivers hypnotic rhythms combined with cinematic soundscapes through the unique work of four electronic storytellers.

traxman, the ghetto house producer based in chicago, active since the mid-90s with multiple releases on the legendary dance mania records, released 6 brand-new dancefloor trax on dizzy tunes.

all this work together creates a very hypnotic but strong vibe getting completed by some subtle deep synths stabs and some wicked fxs on the base elements, which rounds up the whole vibe of the remix perfectly. two greatly executed remixes that haves a subtle groove swift but also keep the soul from the original track intact, as any great remixes should.

ltd warehose found !! massive dj feedback from sven väth, ricardo villalobos, dj sneak, nick curly, reboot, tiefschwarz, luciano, raresh, butch, mathias kaden, matthias tanzmann, joris voorn, monika kruse, chris tietjen, karotte, markus fix, gregor tresher, 2000andone, pete tong, gorge, tim green, ilario alicante, ana & julietta, riva starr and many more… we continue with our limited marbled vinyl >the edits & remixes< series. we have the big summer tune >more or less< from matthias meyer with a great pumping christian burkhardt & einzelkind remix. on the other side we chose a trippy hypnotizing sascha dive remix from the house legend dj sneak feat. monoman. great music from great artists.

4 incendiaries versions (courtesy of j.m.f.g.) from the l house master :. real work ! repress 2021 - black vinyl pressing

2nd release on werkshy s late shift edits label has 3 killer reworks to fill the dancefloor s all over again. dj feedback: joey negro making me high keeps on making me high dimitri from paris - nicely done reflex making me high is the one for me, nice mid tempo groover to set the pace early doors dr packer making me high is the winner for me, great stuff! fingerman -solid edits, nice work! chuggin edits change me up nails it, keeping it true and current!

its a moment of first s for the fresh faced berliner sebo k. as he prepares the launch his very own fledging record label scenario music, he also becomes the newsest member of phil weeks robsoul family as we bring you his much anticipated -catalyst ep-.dedicated to the deeper spectrum of sound, sebo k is much reverred for his work behind the decks that sees him transition effortlessly from soulful freshness to stripped-back grooves and a variety that we ve transfer across to his own productions.with change comes a new vigour, and the catalyst ep kicks off a productive new period for sebo k. three strong house cuts that will become the musical mortar for many as they build their own, on the dancefloor.

ad rvina imperii is the first chapter of a series of various artists compilations co-produced by kapvt mvndi (blackwater) with love blast records and stirpe 999 anti label. heavy anologue and modular-based techno with industrial and drone flavors on this impressive debut ep featuring the work of fire at work, somatic responses and luciano lamanna.

with ‚the grain ep doctor dru has achieved an applaudable piece of work. putting contrasts into sounds, synthesizers into vibes and unique beats into sensibility. jeudi records co. founder is the right one when it comes to musical quality good on point.

b-stock! one corner is broken. bolstered by the unshakable body of work behind it, brooklyn-born berlin-based techno label chronicle reaches its milestone tenth release with its gaze fixed dead ahead. ten releases in, it pays to make a strong, defiant statement of intent, toasting to what the label has been about so far. more important though is to remind those tuned in to take heed, because the next step is always the most significant. from the artists crafting the music at its beating heart to the all-important design that packages the records, chronicle is a label that pulls no punches in its creative vision. given that the vision in question matches unbridled futurism with elegance and intensity, consider this a warning is a fitting title for a salvo of sounds that set the tone for where chronicle will head in its coming chapters.
the double 12 inch includes a cd, featuring all traks from the vinyl plus 6 bonus tracks.

with an overall length of 140cm, the marabou is one of the largest storks. the marabou’s head and neck have only a few downy feathers. the feathers on its back, wings, and tail are dark grey with a shimmering green gloss, and its underside is a radiant white. its red and entirely unresearched throat pouch is a distinctive feature. 3tone.triangle and singer madlaina balmer fly to africa together on the marabou and caress this wonderful summer with warm synthesiser clouds, airy field recordings and pleasant, raw percussion. “marabu” will be available for purchase from the bug wan record label this september 2015, both digitally and as a 7 inch vinyl record (including a download code). the art work to accompany this journey was conceived and designed by marcel huwiler. lets dance above the clouds!

dan friel was a founding member of new york group parts & labor and with his solo work has been at the forefront of new yorks fertile experimental dance & noise scene

we are pleased to present with * black hole* by meta.83 the work of a consequent defender of the art of analogue production. the soon available track * black hole* by the liebe*detail co-founder jinxed us from the very first moment and it was clear to us, that we d like to add a number of top-class remixes beside the original. for this we were able to win no one else then the tobias and borrowed identity (after his recent release on pastamusik * crack in the box ep*). the powerful acid bassline in the original version as well as in the gravity version creates from the very first moment a hypnotic undertow which seems to keep increasing throughout the track. its masterfully celebrated how to generate effective hits by carefully chosen elements and canny used effects. tobias also devote the focus in his interpretation on the acid aspect – but with more dynamics and with a higher beat frequency which will make every techno-djs heart beat faster. when carefully set tones are fading in and out this version gets a brilliant final touch. the remix of borrowed identity sounds in its structure more dirty and rough and though at the same time very fragile. a wonderful gem in pure culture drifting towards a black hole ..... perfect.

444/5/6 is the first four-track ep signed by unc on the very recently born techno label aiia recordings based in lyon, france. unc (also known as dubit) means « uncompromise » (unc0mpr0m153), even by laws and habits of techno, for a free production and a free interpretation of this music composed by this berlin based techno producer. 444/5/6 is blending different ways of sound creation, as if every element in life might be used in unc s music. some industrial samples are combined with dark techno basslines and ambient synths, attesting of the experimental side of the artist. in his work, unc is giving a true estheticism to sounds normally cold and impersonal in the context of daily life. 444 blends a kind of dark and deep samples which reverberate on an almost acid but hypnotic rythm.sloven s re-interpretation of 444 puts in this track, keeping the original samples, some digital sounds on a evolving rythm... like an heart, beating and racing along this track. 445 is the most electronic, rythmically speaking, track of this ep. still gathering techno, with adding industrial samples, which makes 445 the kind of experimental track by unc. 446 is the track which most refers to techno as it s known and produced nowadays. when soft and really high synths meets agressive and speedy rythms.

australian noisemakers tuff sherm and patch free first joined forces for the fine party scraps ep on butter sessions in january. here, they dust off their best classic house and techno influences for an ep on dj haus rave-inclined hot haus label.

nice price deal !!! for the third release on vinyl, we are honored to present two new international artists, aldo cadiz & ricky erre love which constantly continue to work together mixing their cultures and evolving their sound. this project is entitled -ultra thing- and it is composed by 4 original tracks of heavy bass line and minimal groove, house, dub and techno contamination with hypnotic melodies giving life to a breathtaking rhythm !!! a vinyl that can not miss in your bag !!!

one half of scottish duo clouds, perth drug legend tear off a solo ep of rugged, apocalyptic bloke-techno. stunners, all of them. freak genius at work.

stamp s back with jascha hagen paying homage to west africa s afrobeat pioneer & a certain female jazz instrumentalist from the famed blue note catalogue. the leipzig based producer first came to the attention of the label after he dropped the outstanding pan that shit out ep on manna all night. here the open minded producer showcases a different side to his production style with two surefire edits that will work wonders wherever they re played. pitched down and spaced out, soldier on the a side is an edit of a politically charged nigerian anthem. this slow burner keeps you locked in with instantly recognisable keys, subtle guitar licks and a rolling bass line that will even make the stiffest necks nod in solidarity. harlem takes you back to a sun-soaked day with this classic 1970s nyc soul anthem dedicated to the road that loops around the north tip of manhattan. jascha takes the jazz-funk anthem and adds extra instrumentation to create a subtle 2015 update...

following last years meditative mirage ep and the stunning * beat 13* on lovers rock no. 6, earthen sea returns to lr with his debut lp ink. his heaviest and most ambitious work to date, ink is a work of hypnotic, monastic beauty. over the last ten years, earthen sea, aka jacob long, has been developing a sound world all his own, built on a foundation of vaporous grey-black drones and pulsing kick drums. an impressionistic dream-scape of american life, ink journeys between the eerily vacant “entrance” to the feverish “stateless” and the shimmering perfection of “all men know the truth.” swaths of violent, glacial noise collide with lost voices transmitted through the ether, framed between moments of transcendent clarity. following an extended three song suite, closing track * blues in black ink* rides a gently falling piano melody into a finale that is as infused with political rage as it is with private melancholy. with ink, earthen sea arrives fully formed, an artist in utter command of his craft.

eleve welcomes leonid into the family with otherworld ep. the madrid-based irish producer has deployed during the last years some of the finest records of the house panorama, for labels such as sistrum, dolly or more recently freebeat. this record fits perfectly in the red series started in eleve 02 by dj f and jose rico, with the focus on the dancefloor. leonid brings a three-track ep whose amazing sound and percussion, trademark basslines and detroitish leads and pads promise to transport many dancers to other worlds. a side starts with xana, an esoteric house excursion with a mechanical edge. next track is púca, in the spirit of his deepest previous work with a characteristic syncopated bassline. b side long track is embarr, an adventurous imagination trip across the sea, classic leonid elements such relentless percussion and heavy bassline meets acid elements to create a one-way ticket to universal sub-conscience.

the mysterious troy returns on dr with his second ep ever released. it seems like the perfect time for troys northbound ep, 4 very distinctive, cold, yet beautifully designed pieces, which perfectly underline the atmosphere this time of year.
on the a side, detail and evolution are the foundation of the lengthy *bh3*, which also futures a hard hitting remix by takaaki itoh from japan.
the b side features two more melodic cuts. *archer* stresses the journey into the cold, with its synth work nearing dissonance, while remaining in complex and admirable harmony. the title track *northbound* is a more straight forward loop, which builds up to something rather chilly and unheard before.

moscow label grow continues in fine creative form, seemingly not sticking to a motive or trend but rather concentrating on the strength of character within the music it releases. for the labels eighth release the artist is berlin based the marx trukker, who over the last 10 years has been developing his very distinct sound and recent output on labels like pluie/noir, the untold stories, and most recently noorden, have all been especially impressive. now on grow comes the 4 track vinyl * heavens crackling*, from the title one is expecting something awesome, and the album does not disappoint, right from the off, the first track: * a time well spent*, begins with celestial tones ringing out and the performance develops with great synth work, enlightened and very enlivening, spring is in step and something is beginning. the record continues at such a level throughout, overflowing with rich tones, warmth, and raw sounding percussion. in the second track, * all the boating still a tide to go*, deep warm bass and strings reverberate, as if amidst a hot harbours summer, then the ethereal synths return as magical breezes of cooling wind on a june day. on the bside comes the title track * heavens crackling*, the tone has cooled, there is an autumnal vibe, extended tones of an eerie but reassuring nature provide the ground, from under which a molten bass flows playfully. the final track, * i do anything but its so cold*, as the title would suggest, again time has passed, gone are the warm relaxed echoes of the the opening tracks, winter has come, and a strong percussive energy becomes the driving force of an especially deep and more introverted last track. in heavens crackling there is an uncanny understanding of time passing and representation of being, its present in the patience and performance within every track, and the effect of the album, which seems, like the seasons, to naturally come full circle, is for the listener indeed to experience a time well spent. top marks for the marx trukker!

after a summer of church white releases, church black steps back to the forefront, this time with eight raw jams from church alumni viers.

over the course of six self-recorded and mostly self-released lps, alex g has built a body of work unassuming in its presentation but astounding in its depth. beach music, his seventh full-length and his debut with domino, was written and recorded in giannascoli’s apartment between the fall of 2014 and the spring of 2015, during breaks from touring with the likes of elvis depressedly, cymbals eat guitars, and gardens & villa. the heavyweight vinyl lp includes a download code for the full album.

pablo marco comes back to the label pushing out >crossing the river ep< as the seventh reference of lths catalogue. the artwork was painted by the young maestro from colombia, santiago ayerbe. all 4 tracks have been played over and over and they work for the dancefloor everytime. better to discover it by yourself.

when people think of tuff gong they usually think of bob marley and rightly so, as he was nicknamed and often called tuff gong and from this his early releases which came out on the tough gong label. but tuff gong was also the name of a recording complex named after bob marley hat included a top level recording studio, pressing plant and distribution centre that would allow reggae music to carry on many years after his sad and too early demise. we focus for this release on the work carried out by the great scientist on the songs of the black solidarity label run by ossie thomas (aka joe the boss) recorded at tough gong studios. one of the foremost recording, pressing and distribution facilities on the jamaican island set up from the work of bob marley to carry forward reggae music. hope you enjoy this set.

young pulse is going from strength to strength and is now ready to drop vol. 3 of his best-selling paris edits series. together with fellow producers the reflex and reverend p its become clear that the french are now leading the way on the edit scene with their high quality reworks. on this ep from young pulse you get a high energy version of ewf (can t let go), an 80s disco/funk edit of kasso (dig it) and an absolute killer boogie work of lamont dosier (shout about it). gamm on point as usual.

limited repress
after a furious release by atlantis’ best kept secret cuttlefish & asparagus entitled hang on in there, kalakuta soul records meticulously puts a new twelve together you’d want to throw your hands upon immediately. always referring to sadar bahar as one of the most influential cats to their work, the crew behind the label hasn’t stopped crying ever since they received the tracks. and although we’ve pinched them a couple of times, they still can’t seem to believe this really is coming true. can you? now it surely isn’t the first time the world’s coolest cat has released a couple of his rare edits. but you surely are still dancing and sweating to his unforgettable chicken wing edits series and have been wondering, what this guy’s been doing. well, soul in the hole’s true soul and dj’s dj sadar bahar has been travelling around the world giving everybody a serious lesson in soul music that he calls disco beatdown. some brothers would also name sadar’s ceremonies “exorcism-, which pretty much leads us back to the tracks released on this fantastic sounding 12&#8243,,,, disco single.

lets jam 1 and lets jam 2 are zombys debut recordings for xl recordings. the two musically distinct individual bodies of work see the london-based artist returning to his roots making instinctive, enigmatic, club-focused music. the music was in part recorded on new hardware and software at xls west london studios and in part on the fly in zombys own environment.

lets jam 1 and lets jam 2 are zombys debut recordings for xl recordings. the two musically distinct individual bodies of work see the london-based artist returning to his roots making instinctive, enigmatic, club-focused music. the music was in part recorded on new hardware and software at xls west london studios and in part on the fly in zombys own environment.

patrik sjeren, j-dubs and work them records founder spencer parker give dan beaumonts lauded spirit talkin the dub treatment.

drumma records presents its second collaboration with romanian duo vinyl speed adjust (vsa). the ep titled the awakening shows us vsas intelligent approach to music, an ideal fit at drumma records where creatively effervescent music is embraced with open arms. the record has 4 tracks. the eponymous the awakening is a special trip between break rhythms, modern jazz and a dreamy perpetual arpeggio. it creates a great mood for artists who want to present something special during their set. a2 is the grind, a very strong and acid track with a powerful evolving bassline that creates perfect suspense. inspired by the 90s, its raw and its analogue, definitely a hot track. monoxide comes with a linear rhythmic pattern and a very deep sub-bass sound fused with trippy synth soundscapes, ideal to put in a mental note during a session. the release is topped off with an amazing remix by the great valentino kanzyani. hes brought his own approach to the grind. the remix is a track with very strong groove and an intelligent evolution that creates small sonic worlds at every turn. valentino knows how to masterfully work a constant crescendo where tension and rest is perfectly resolved and we can feel his approach to techno at its best.

berlin based label mos ferry prod. is celebrating the release of the 4th studio album by their very own dapayk solo. titled #nofilter. since 1996 producer niklas worgt is regarded as one of the most creative and versatile protagonists of europes club scene. several projects for his label mos ferry prod., like the i love vinyl- festival or the work on new dapayk & padberg releases have kept him busy during the last 5 years. but finally he came around to spend some solo time in the studio

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

limited to 500 copies with downloadcode included. continuing his work with memory not only as a subject but also as a process, michael anderson has culled many of the sounds on this record from the past. but this is not a record of rehashed material or remixes. rather, drekkas music is made through continually delving into an archive, digging up and repurposing old recordings, live performances, and forgotten snippets of the voices of out-of-touch friends.